Texas
Chainsaw Massacre introduced
me to the “slasher” genre. From what we
talked about in class, it makes sense that the “slasher” film specifically
targeted teenage boys. Gender
stereotypes were immensely present in the film, with a fatalistic and sexual
view of women, and strong and supreme authority amongst men.
When
we are first introduced to the characters in the film, the two girls’ wardrobes
are difficult to ignore. Pam wears VERY
short-shorts and a backless top. Sally,
arguably the more modest girl, still wears tight white pants and a tank top
that clearly puts her nipples on display.
As viewers, we are automatically drawn to the women, which intentionally
defines them as objects of the camera and objects of our eye.
This
is further emphasized in the shot of the girls at the gas station. The camera is placed behind them, shooting
upward, putting special focus on their backsides. We again view the girls simply as sexual devices.
When
we are introduced to the cannibal house and Kirk enters, he is quickly killed
with a sledgehammer by Leatherface. The
method that Leatherface used to murder Kirk didn’t cause him to scream or even
think of the current occurrence. Of
course, the lack of scream and horror caused Pam to go in after him, yet
Leatherface chose to force Pam to suffer, by watching the sawing of Kirk while
placed alive on a hook. We later find
out that she is even still alive in the freezer, suffering from panic and devastation.
Jerry is the next victim, as we
follow him into the house next. Jerry,
like Kirk, also had a quick death with a sledgehammer. With both males dying without suffering, their
murders resonate more with unfortunate circumstances, rather than a lack of
power that we see within the females and Franklin.
The
entire family of killers also consists of males, reinforcing the power had over
the female gender. There were also
scenes that highlighted the power of the penis.
First of all, Franklin’s fetishism of his knife represented his masculine
power that was absent because of his paraplegic state. When he (or Sally) misplaced his knife, he
quickly became obsessed with having to find it.
Another
notable occurrence displaying masculine power was the way in which Franklin was
killed. Leatherface forced the chainsaw
into Franklin in a manner that represented sexual intercourse, as if the
chainsaw was his penis. Because of this,
Franklin is directly placed on the same level of Pam and Sally. Would this occurrence have happened if
Franklin did find his knife and was carrying it with him at this time? Without Franklin’s representation of
masculine power, there’s no wonder why he couldn’t have survived the ultimate masculine
power of the chainsaw.
After
Sally somehow escapes the meticulous running around in circles in the woods,
she believes that she’s safe in the shed with Jim. We quickly learn that the man isn’t an
innocent owner of the gas station and instead he’s the father of Leatherface
and Hitchhiker. After Jim shoves her in
a sack and forces her into his truck, he begins to stab her. The stabbing clearly gives him sexual
pleasure, as he penetrates her with excitement, as if he’s masturbating or forcing
sexual intercourse. This scene further
displays masculine power and feminine weakness.
Within
the film, there are many scenes that define masculinity and its representations
as all powerful, while drastically debilitating women. As a woman, I can’t help but to be frustrated
by this film because it would place me in the same negative category.
Hillary,
ReplyDeleteI completely agree with pretty much everything you're pointing out here in regards to the treatment of women in The Texas Chainsaw Massacre. The two men killed on either side of Pam's death are almost put away into cupboards while Pam herself is penetrated by a meat hook and forced to witness the horrors of another's mutilation. I found the treatment of Pam, despite Sally's drawn-out suffering, to be the most horrific, hung by her own weight and then soon tossed into a freezer, alive, ready to be chopped up by Leatherface at a later time. There is a clear fixation on her, and Sally's, suffering rather than the suffering of the men, though Franklin is perhaps the one exception to this. Though, as you pointed out, Franklin is relatively emasculated by his lack of legs and loss of knife, which perhaps puts him on the side of the women in the film, leading to his more displayed and horrible death. The ending of the film is extremely focused on the male power over Sally, which is something that goes on for a long time. The only redeeming quality in her horrible treatment at the hands of this southern patriarchy is perhaps the fact that she escapes the grips of Leatherface, though she is only able to do so with the help of two other men, belittling her success in a way. Nice post!