As
one can expect from a movie about a freak show, a lot of the characters are proportioned
differently than the average person and often have physical and personality
traits that make them appear and act out of the ordinary. However, Tod Browning
utilized this aspect of his actors to physically portray their personalities.
In this regard, all the characters display personality traits that are
synonymous with the way that they look.
A
first example of this can be seen in Hans as well as Frita. They are both
people who are a lot smaller than everyone else in their height and size.
Because of this, they are taken advantage of a lot in the film, just as you
might expect of a small person. Hans is continually misled and lied to so that
Cleo and the strong man can get a hold of his inherited fortune. In addition,
several times in the film he is picked up against his will and treated like a
child. As for Frita, Hans decides to leave her for Cleo and so she is seen as
small, with things out of her control. Furthermore, Cleo makes her feel even
smaller when she mistakenly tells Cleo about Hans’s fortune.
However,
on the other end of the freak spectrum is the strong man. Since his character
is known for being really big and strong, he acts this way as well. He acts
very masculine and as though he can be in charge of any situation. He also
helps Cleo to fool Hans into getting married, which makes him more bigheaded
and confident. Cleo as well is the other “villain” in this film. Her character
is a normal person in the film however, with no physical abnormality. Because
of this, she acts as though she’s better than everyone else. She displays this
throughout the film by acting like she’s superior to Frita and thinking that
she can cheat Hans out of his money. Cleo even shouts at the other freaks and
says that she is above them when they tell her she is one of them now after
marring Hans.
Another
interesting way in which Tod Browning utilized the appearance of his actors to
mimic their personalities was with the half boy half girl character, as well as
the conjoined twin. These characters contribute to the voyeuristic aspect to
this film. The half boy half girl exists to show both views of gender and to
sort of put anonymity to the voyeur itself. Showing two genders on one person
helps to get across the message that it could be anyone watching, and this
character often is seen observing on other people’s conversations unknowingly.
The conjoined twin however represents multiple views in the same person. This
is shown by having each of the separate people convey different emotions and
have different opinions on things. Although they are connected at the hip,
these twins don’t like the same people always and one of them is very
submissive while the other is more assertive and talkative. It is an
interesting way to represent opposing views in the same person.
Through
the work of his actors themselves, Tod Browning was able to portray different
types of people with the help of their physical appearances to help give them
their personalities. Most obvious examples can be seen in Frita and Hans as
well as the strong man and Cleo, while more abstract personalities can be seen
in some of the characters such as the half boy half girl and the conjoined
twin. Through using this technique, Browning made the film have a deeper
meaning then what lied in the dialogue and actions of the characters. Each body
type became its personality and lead to a large array of differing “freaks”.
This is a really interesting take, I also spoke on the subject of scale in my response. Though mine was more on the scale of rooms versus the people in them. In yours you pose an interesting possibility I hadn't considered. This idea that the physical chacteristics of the people within the movie are demonstrative of their place in the film, their feelings and the way in which the other characters interact with them. Your juxtaposition of the size scale and corresponding effects between Hans and the strong man is quite insightful and well supported. I notice that this holds true with the man with no limbs as well, he has less, physically, than anyone else and is shown and treated not much than furniture to be looked at. His own thoughts are never expressed or taken into consideration.
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